Toutes peintures à l'huile d'ALLORI Alessandro

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4690

Allegory of Human Life kig

1570-90 Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence

58372

Cosimo I dressed in a portrait of Qingqi Breastplate

mk261 Florence, about 1555-1560 years wood canvas 105 x 81 cm

29872

Hercules Crowned by the Muses

mk67 Oil on copper 15 3/4x 11 1/8in Uffizi,Gallery

29137

Madonna and Child

mk65 Oil on canvas 51x45"

68627

Maria de Medici

Date Deutsch: um 1555 Technique Deutsch: Öl auf Pappelholz Dimensions Deutsch: 114,5 x 89,5 cm

74234

Maria de Medici

Date Deutsch: um 1555 Medium Deutsch: Öl auf Pappelholz Dimensions Deutsch: 114,5 x 89,5 cm cyf

45420

Museum art historic Christ with Maria and Marta

mk186 1605 Vienna

86291

Pearl Fishers

Oil on slate, 116 x 86 cm cyf

84317

Portrait of a Florentine Lady

16th century Medium Oil on panel Dimensions 54.6 x 42.3 cm (21.5 x 16.7 in) cyf

76233

Portrait of a Florentine Nobleman

Date 16th century Medium Oil on panel Dimensions 70 ?? 55 cm (27.6 ?? 21.7 in) c yf

4689

Portrait of a Woman hhhy

1570-90 Oil on copper, 37 x 27 cm Galleria degli Uffizi, Florence

4691

Portrait of a Young Man hgjgh

Oil on canvas transferred from wood, 117 x 87,5 cm The Hermitage, St. Petersburg

29813

Portrait of Barbara Pallavicino

mk67 Oil on panel 18 5/16x13 3/4in Uffizi,Gallery.

96471

Portrait of Bianca Cappello

16th century Medium oil cyf

77195

Preaching of St John the Baptist

Date between 1601(1601) and 1603(1603) Medium Oil on copper Dimensions Width: 47 cm (18.5 in). Height: 39 cm (15.4 in). cyf

4692

St Peter Walking on the Water

1590s Oil on copper, 47 x 40 cm Galleria degli Uffizi, Florence

32224

Susanna and The Elders

Oil on canvas, 202 x 7 cm

73136

Susanna and the Elders

Date Medium Oil on canvas Dimensions 202 X 117 cm (79.53 X 46.06 in) cyf

29869

The Annunciation

mk67 Oil on canvas 63 3/4x40 9/16in

42023

The Anunciacion

mk166 1603 I Wave on cloth 162x103cm Galeria of the Academy Florence

45477

The banquet of the Kleopatra

mk186 1570 Florence, Palazzo Vecchio, Studiolo di Francesco I de' Medici

29870

The Baptism of Christ

mk67 Oil on panel 65 1/8x38 3/16in

4688

The Body of Christ with Two Angels

Oil on copper, 45 x 39 cm Museum of Fine Arts, Budapest

45493

The communion

mk186 1582 Florence, Stanta Maria del Carmine

45485

The wedding to canons

mk186 1592 Florence church Sant' Agata

4693

Venus and Cupid

Oil on wood Mus??e Fabre, Montpellier

32226

Venus and Cupid

Oil on wood

ALLORI Alessandro

Italian Mannerist Painter, 1535-1607 Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy. Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion.

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